In the dynamic and rapidly evolving landscape of Ghanaian entertainment, few figures have managed to bridge the gap between production excellence and talent management as effectively as Ernest Okyere, popularly known in the industry as Kwaku Abeiku Okyere.
Currently serving as a creative force in the Ashanti Region, Abeiku operates as a formidable TV Producer and Director for Fakye TV in Kumasi. Beyond his work behind the camera, he has established himself as a multifaceted entrepreneur, holding the title of CEO for both Event Konnect GH and Uplink 36 Ventures, solidifying his reputation as a modern media mogul in the making.
Abeiku’s impressive trajectory is not one of overnight success, but rather a result of years of dedication starting around 2016.
His journey began in the bustling media capital of Accra, where he honed his craft and gained invaluable experience working with some of the country’s most notable television networks.
His portfolio boasts tenures at Care TV, Atinka TV, and the renowned Zylofon TV. These formative years in Accra provided the technical foundation and industry insight that he now brings to the Kumasi media space, elevating production standards at Fakye TV.
However, Abeiku’s influence extends well beyond the control room; he is a significant power player in the careers of top-tier Ghanaian talent. As an artiste manager, he is the strategic mind currently guiding the career of the acclaimed gospel powerhouse, Joyce Blessing.
Additionally, he manages the versatile Ghanaian actor and singer Frank Naro. His ability to juggle high-stakes television production while steering the careers of celebrity talents highlights a unique versatility and a deep understanding of the entertainment business ecosystem.
At the core of his professional endeavours lies a profound personal philosophy. Abeiku is not driven merely by ratings or stardom but by a desire to spark positive change.
His ultimate dream is to use his platform as a media personality to inspire audiences and positively affect lives. Whether directing a television segment or strategizing a music release, this mission statement serves as his compass, ensuring that his output contributes meaningfully to the social fabric of his audience.
Looking toward the horizon, Abeiku maintains a highly optimistic outlook for Ghana’s media industry. He notes a significant “upgrade” and improvement in the media space in recent times, signalling a maturing market.
He serves as a vocal advocate for stronger collaboration between the government and media players.
Abeiku argues that through such partnerships, the industry can effectively rewrite the negative narratives surrounding Ghana—specifically regarding the nation’s image, culture, and economy—turning challenges into opportunities for national rebranding.
Furthermore, Abeiku champions the convergence of different media forms as the key to global recognition.
He believes that the future lies in a strategic handshake between “new media” (social media platforms) and traditional media outlets. By leveraging the reach of digital platforms alongside the credibility of traditional broadcasting, he asserts that the country can positively sell “Brand Ghana” to the outside world.
With visionaries like Kwaku Abeiku Okyere at the helm, the future of Ghanaian media indeed looks brighter than ever.
